Dena DeRose Ode to the Road
HighNote (2020)

BUY NOW

Tracklist

Personnel

Dena DeRose vocals & piano
Martin Wind bass
Matt Wilson drums
with special guests
Sheila Jordan
Houston Person
Jeremy Pelt

Press

The New York City Jazz Record , Scott Yanow

Dena DeRose is a veteran pianist-singer who has long carved out her own musical identity within the modern mainstream of jazz. On Ode To The Road, she is joined by her longtime trio of bassist Martin Wind and drummer Matt Wilson and, on two songs apiece, singer Sheila Jordan, tenor saxophonist Houston Person and trumpeter Jeremy Pelt.

She begins her 11th album as a leader with the obscure Alan Broadbent-Mark Murphy title song and also performs another Broadbent-Murphy piece, the tender ballad “Don’t Ask Why”, plus two Bob Dorough gems, a pair of originals, one tune each by Al Cohn and Roger Kellaway and three standards.

DeRose’s voice has grown warmer through the years and she sounds particularly fetching on the ballads (“Don’t Ask Why”, Alan Bergman-Marilyn Bergman-Marvin Hamlisch’s “The Way We Were” and Alan Bergman-Marilyn Bergman-Roger Kellaway’s “I Have The Feeling I’ve Been Here Before”) while also joyfully trading scat passages with the ageless Jordan on a combination of Walter Jurmann-Gus Kahn- Bronisław Kaper’s “All God’s Chillun Got Rhythm” and Miles Davis’ “Little Willie Leaps”. Her piano playing is boppish without being derivative as she shows on her “A Tip Of The Hat” (a near-instrumental) and a cooking version of Dorough’s “Nothing Like You”. Pelt’s spectacular trumpet solo on Cohn’s “Cross Me Off Your List” and Person’s two appearances (soulful on “The Way We Were” and swinging during Henry Mancini-Johnny Mercer’s “The Days Of Wine And Roses”) are added bonuses.

Close attention was paid to variations in moods and tempos throughout the project and the result is a well-rounded set.

Jazz Weekly , George W. Harris

Vocalist and  pianist Dena DeRose shows off her multiple talents on this swinging session where she cuts and pastes guests to her core team of herself with bassist Martin Wind and drummer Matt Wilson. The album is dominated by compositions by classy mainstream jazz pianists such as Alan Broadbent and Bob Dorough and inn the trio format, she’s rich and slinky on “Ode to the Road”, alluring on the sheer Don’t Ask Why” along with Wind’s clever bass” and she intimately bops on her own “A Tip Of The Hat””. She does a pair of hep duets with boptress Sheila Jordan, sizzling with Wind on “All God’s Chillun Got Rhythm/Little Willie Leaps” and diving into a blues for “Small Day Tomorrow”. Smoky tenor saxist Houston Person blows smoke rings on a warm “The Way We Were” and the suave “The Days of Wine and Roses” as trumpet king Jeremy  Pelt swings it on “Nothing Like You” and gets frisky and brassily brawny on the vaudevillian “Cross Me Off Your List”. DeRose herself knows when to stretch the lyrics, give an extra vibrato, swoop or clip the syllables to perfection, making this a wonderful workshop on jazz vocals.

Midwest Record

You want to hear a jazz vocal piano trio at the top of the genre’s game? DeRose hooks up with Wind and Wilson again, adds a guest list of Sheila Jordan, Jeremy Pelt and Houston Person, leans heavily on the songbooks of Bob Dorough, Broadbent and Murphy and tying it all together with a definitive version of “Days of Wine & Roses” that leaves you panting for her next outing. Whew! Immaculate, perfect, soulful and swinging, this set has everything you want. Killer stuff that just plain says it all.